 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
| |
 |
|
| |
|
|
| |
Part One garnered 50% more than the network's average market share in the key advertising demographic of 14–49 and won the 8:15 PM time slot
|
|
| |
|
|
| |
Women 30-49 yrs, being the strong advertising demo, won the 8:15pm time slot with a market share of 19.3% |
|
| |
|
|
| |
Part Two will air today, December 4th. Parts Three and Four will air the following Monday and Tuesday, December 10th and 11th |
|
| |
|
|
| |
|
|
| |
GALA RED CARPET PREMIERE EVENT: On November 14th, German broadcaster SAT.1 hosted a premiere event in Berlin's famous Sony Center. In attendance were Ken Follett, Cynthia Nixon, Rupert Evans Tom Weston-Jones, Oliver Jackson-Cohen, Nora von Waldstätten, Sarah Gadon, Kostja Ullmann and Jason Langley. The 120 meter long red carpet ran across the 4,000 square meter plaza with a wooden bridge, which is so iconic to the story, leading into the theatre. In addition to thousands of fans, there was a 12 meter line of photographers and a 15 meter journalist line from TV, radio and print outlets. This kick-off generated a flood of press leading into the start of Sat.1's outdoor campaign. |
|
| |
|
|
| |
 |
|
| |
(l – r) Cynthia Nixon, Rupert Evans, Tom Weston-Jones, Kostja Ullmann, Nora von Waldstätten, Oliver Jackson-Cohen, Sarah Gadon, Blake Ritson, Jason Langley, Ken Follett, Rola Bauer
© SAT.1/Bernd Jaworek
|
|
| |
|
|
| |
|
|
| |
|
|
| |
Sat.1's Campaign |
|
| |
|
|
| |
 |
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
|
|
| |
For more information on Sat.1
http://www.sat1.de/tv/die-tore-der-welt
http://www.sat1.de/tv/die-tore-der-welt/ken-folletts-reise-ins-mittelalter
|
|
| |
|
|
| |
|
|
| |
|
|
 |
 |
 |
| |
|
|
| |
Premiered November 11th
(Format: 4 x 2 hours)
|
|
| |
|
|
| |
- Night One delivered an extraordinary 38.44% share of the network's subscribers.
- Night Two again broke records with a stunning 47.66% share of their subscriber base.
- Night Three continues to hold strong and is up from the premier episode.
- Stay tuned for the final average next week
|
|
| |
|
|
| |
|
|
| |
|
|
 |
 |
 |
| |
|
|
| |
Premiered October 28th
(Format: 4 x 2 hours)
|
|
| |
|
|
| |
- The four parts were aired over 2 nights, each night airing 2 back-to-back episodes. The first starting at 8pm, the second at 10pm.
- All four parts delivered a very strong and consistent average of a 16% market share.
- The two 10pm timeslots reached an outstanding market share of 23% respectively.
- ORF's audience has the possibility to evaluate the network's programs online. WWE reached a score of 4.1 out of 5 possible points: No program has ever reached 5 and this score is outstanding.
|
|
 |
|
|
| |
|
|
| |
|
|
| |
|
|
 |
 |
 |
| |
|
|
| |
Premiered October 23rd
(Format: 4 x 2 hours)
|
|
| |
|
|
| |
 |
|
- The premiere episode of the series reached 2.4 million viewers; making it the second best series start in the history of Cuatro.
- Cuatro performed better than its two strongest competitors for this time slot: beating Antena 3 by 12% more viewers and La Sexta by 41.4% more.
- All four nights of the series were the leader in the key advertising demographic and continued to outperform both Antena 3 and La Sexta.
|
| |
|
|
|
|
| |
|
|
| |
|
|
 |
 |
 |
| |
|
|
| |
Premiered October 17th
(Format: 4 x 2 hours)
|
|
| |
|
|
| |
- REELZ does multiple airings within a week. The initial airing of the four parts was on consecutive Wednesday evenings.
- The series reached an average of approximately 8 million households with approximately 12 million viewers.
- The show increased in viewership with each of the four parts, with its finale peaking at 43% more households than its premiere episode…this despite the fact that nights three and four were adversely affected by Hurricane Sandy, which left millions of households on the East Coast without the ability to watch television.
|
|
 |
| |
|
|
|
|
| |
|
|
| |
|
|
| |
On October 2nd, REELZ Channel hosted an event in L.A. to kick off their airings, starting in the morning with a press conference for the Hollywood Foreign Press Association and culminating in the evening with an industry screening. Cast and crew in attendance included Cynthia Nixon, Rupert Evans, Tom Weston-Jones, Oliver Jackson-Cohen, Megan Follows and Carlo Rota. This event was the lead-in to the outdoor campaign.
|
|
| |
|
|
| |
 |
|
| |
(l – r) Oliver-Jackson Cohen, Cynthia Nixon, Rupert Evans, Tom Weston-Jones, Stan Hubbard (CEO Reelz Channel)
© WireImage
|
|
| |
|
|
| |
|
|
| |
|
|
| |
Reelz Channel Outdoor campaign |
|
| |
|
|
| |
 |
|
| |
|
|
| |
 |
|
| |
|
|
| |
|
|
| |
|
|
 |
 |
 |
| |
|
|
| |
Premiered September 4th
(Format: 8 x 1 hour)
|
|
| |
|
|
| |
- Showcase does multiple airings within a week. The initial airing of the eight episodes was on 8 consecutive Tuesday evenings.
- Between the first airing of the premiere episode and the cumulative viewer count at the end of that week, there was a 100% increase in viewers, demonstrating a strong and positive word of mouth.
- The series exceeded the average viewership for the Tuesday evening slot by approx. 40%.
- For the key advertising demographic, the series overachieved by reaching 140% of its target.
- The highest rated episode reached 1.1 million viewers (approx. the same viewership of the highest rated episode of Pillars on CBC in Canada).
|
|
| |
|
|
| |
|
|
| |
|
|
 |
 |
 |
| |
|
|
| |
- Canal+ (France) on December 13, 2012
- Channel Four (UK) in January 2013
|
|
| |
|
|
| |
|
|
 |
| |
|
|
| |
|
|
| |
The $46 million Event series is produced by TANDEM COMMUNICATIONS (The Pillars of the Earth, The Company) and TAKE 5 PRODUCTIONS (The Tudors, The Borgias) in coproduction with GALAFILM (Race to Mars, St. Urbain's Horseman) in association with Ridley Scott and Tony Scott's SCOTT FREE FILMS (The Good Wife, The Andromeda Strain).
World Without End stars Emmy® and Golden Globe®-winner Cynthia Nixon (Sex and the City, The Big C) as the beautiful and deadly schemer "Petranilla", two-time Oscar®-nominee, Golden Globe® and BAFTA-winner Miranda Richardson (Harry Potter and the Deathly Hallows, The Young Victoria) as the strong and determined "Mother Cecilia", Olivier and Tony-nominee Ben Chaplin (The Thin Red Line, Me and Orson Welles) as the mysterious "Sir Thomas Langley", Oscar®-nominee and Golden Globe®-winner Peter Firth (MI5, The Hunt for Red October) as the ruthless Earl "Roland", BAFTA-nominee Charlotte Riley (The Duchess, Wuthering Heights) as the wise and compassionate "Caris", Rupert Evans (HellBoy, Agora) as the duplicitous "Godwyn", Nora von Waldstaetten (Carlos, The Duchess) as "Gwenda",the street-wise peasant girl, Oliver Jackson-Cohen (What's Your Number, The Raven) as the rough and dangerous "Ralph", accomplished stage thespian Tom Weston-Jones (Enlightenment, The Country Wife) as the creative and ambitious "Merthin", Gemini Award-winner and Genie Award-nominee Megan Follows (Heartland, Anne of Green Gables) as "Maud", a lady fallen from grace, and Genie-nominee Sarah Gadon (in the up-coming Cosmopolis with Robert Pattinson, A Dangerous Method) as the attractive and intelligent "Philippa". World Without End is directed by Michael Caton-Jones (This Boy's Life, Rob Roy).
|
|
| |
|
|
| |
** CREDITS NOT CONTRACTUAL** |
|
| |
|
|
 |
|
 |
| |
|
|
|
 |
 |
|
|
|